In Antigua, Guatemala, Easter Sunday’s (Domingo de Resurrección) modest procession celebrating the resurrection of Christ (Procesión de Resurrección) contrasts starkly with the solemnity of the Lent (Cuaresma) and Holy Week (Semana Santa) processions.
Suddenly the blanket of sadness lifts and there is a festive air. Smiling folk in colorful costumes play lively music and dance over candy-strewn alfombras that children pounce on like booty from a battered piñata. Shreds of colored paper scattered from rooftops float in the breeze like confetti and firecrackers echo throughout the city.
World famous for its Lent (Cuaresma) and Holy Week (Semana Santa) celebrations, Antigua and surrounding pueblos in the central highlands of Guatemala buzz with people, emotion and activities at this time of year more than any other. Families, friends, neighbors and communities spend hours together creating elaborate ceremonial carpets called alfombras along the route of religious processions.
Some make simple alfombras of pine needles strewn with flowers. Others create intricate, time-consuming works of art using stencils and sawdust (called aserrín) stained the varying hues of an artist’s palette. For these, they level a surface of sand or plain sawdust over the uneven cobblestones before sifting a fine layer of dyed sawdust to paint a colored background.
Placing their choice of cardboard or wooden stencils cut into various images and patterns on the blank canvas they carefully sift contrasting hues of sawdust to create the effect they want. Laying on platforms of sturdy planks of wood placed on blocks spanning the width of the alfombra, they avoid damaging their art.
After months of planning and hours of work and painstaking concentration, masterpieces carpet the cobbles in the path of processions only to be trampled moments later into an impressionistic mishmash between gray stones.
Here’s a photo tour of the elaborate process of alfombra-making! Click here to see all my Holy Week posts from previous years. For this year’s Semana Santa photos and all things Antigueño, check out Antigua Daily Photo.
My post Holy Week Alfombra Detail: Part 1 was just a taster of the thousands of alfombras created during Semana Santa (Holy Week) in Antigua, Guatemala. As so many intricate details grabbed my attention, I had to break them down into separate posts.
Semana Santa (Holy Week) has come and gone again in Antigua, Guatemala along with thousands of ceremonial carpets known as alfombras, laid and destroyed in the path of processions.
This post is dedicated to details of these pieces of art made of dyed sawdust, pine needles, flowers, fruit and vegetables where biblical and Mayan themes, crosses and hearts predominate.
For more of my alfombra posts check out Holy Week in Antigua: Alfombras and Just Kids: The Art of Alfombras. For all my Semana Santa posts including processions and velaciones (Holy Vigils) click here. Also, Holy Week Alfombra Detail: Part 2 is now posted.
Guatemalan kids love to express their creative side helping their parents in the art of making elaborate, vivid alfombras (carpets) of gaudily dyed aserrín (sawdust), pine needles, flowers and fruit during Semana Santa (Holy Week).
Engrossed in their handiwork, mostly oblivious to onlookers, they play with color and form. Laying flowers and petals on carpets of soft, scented pine needles or sifting, spooning and massaging with fingertips psychedelic sawdust into carved out shapes in wooden stencils: this is the ultimate art class for kids!
Here are just a few images captured in Antigua at this time.
Mothers dress up their young daughters in formal black and white, often covering their heads in lace shawls, and either carry or lead them while they take part in processions.
Like the boys, the girls too have their own procesiones infantiles, mini child processions where they carry their own andas (floats) helped by adults and chaperoned by their parents.
Here are a few photos of some girls in Antigua.
Guatemalan catholic families initiate their kids into Semana Santa (Holy Week) at an early age.
Parents dress up their male children, some still babies, in the purple robes of the cucurucho, (the color purple symbolizing Christ’s suffering) and fathers carry them in their arms or lead them by the hand in the processions.
Some days young boys carry their own andas (floats), the main load taken by men, in mini child processions called procesiones infantiles while parents walk along beside them.
Following are some shots I took of the boy cucuruchos in Antigua.
Incense fragranced smog chokes the air while dozens of robed, head-dressed men known as cucuruchos, shoulder an anda (float) bearing a figure of Christ.
Processions ceremoniously leave churches and tortuously navigate their way step by step along the topsy-turvy cobble stoned streets between crumbling ruins and colonial houses, trampling in their path intricate carpets (alfombras) of garishly stained sawdust and flowers.
After each block, new recruits subtly weave their way into the procession relieving the tiring cucuruchos from their burden. Organized by a brotherhood or hermandad, locals pay the church to participate, considering it a great honor and a way of displaying devotion to their faith.
At the tail end musicians blow solemnly on brass horns accompanied by the pounding of giant drums as they shuffle over the mishmash of impressionistic color splashed cobbles.
Streets jostle with locals, expats and international visitors waiting patiently for a view of the passing procession then mingling with the trailing hawkers crying out their wares.
Finally, locals salvage broken stems of flowers before the advancing tren de limpieza (cleaning train) of bulldozers, trucks and an army of men wielding brooms and shovels who clear up the aftermath of trampled sawdust and trash.
Processions vary but each one includes an anda bearing Christ carried by purple-robed men although the hermandad wear white robes and everyone changes to somber black after the crucifixion. A smaller float with women dressed in black and white, bearing a statue of the Virgin Mary follows.
The revered Franciscan monk Saint Hermano Pedro, also known as the Saint Francis of the Americas, imported the Semana Santa (Holy Week) tradition to Antigua when he arrived from Spain about 1650. He reputedly made the earliest alfombra in Guatemala and led the first procession.
These are just a few of the images I took of the processions during this period. More will follow in my next post.
Velaciones or holy vigils adorn churches around Antigua, Guatemala and surrounding villages at least every Friday throughout Cuaresma (Lent) and about two days before processions during Semana Santa (Holy Week).
A brotherhood, known as a hermandad, organizes their church’s velación, displaying their religious processional image near the altar against a giant biblical backdrop. At its feet lies a vibrant handmade alfombra (carpet) of sawdust, hemmed by a huerto (garden), an eye-catching display of flowers, fruit, vegetables, candles and specially shaped loaves of bread, brought to the church as offerings the day before.
Sacred music plays while the faithful or the inquisitive flood into the church to pray and admire these temporary works of religious art. A festival atmosphere fills the evening air outside as hordes of visitors hang around in groups gossiping and jostling for the best bites around smoky grills and seasonal food and drink stands.
A religious fervor of Holy Vigils (velaciones), masses (misas) and processions (procesiones) sweeps over the Catholic community throughout Lent or Cuaresma from Ash Wednesday (miércoles de Ceniza), forty days before Palm Sunday.
Holy Week, or Semana Santa in Spanish, is the last week of Lent starting on Palm Sunday and ending the day before Easter Sunday. During this time, in Antigua, Guatemala, the passion and solemnity intensifies among the faithful with almost daily processions that bring the normal daily life of the city to a standstill.
Here, part of the tradition involves the laborious laying of ceremonial carpets or alfombras in the path of processions. The devout dedicate hours to create intricate alfombras, patiently sifting dyed sawdust through wooden and cardboard templates, slowly covering the grey cobblestones with multi-colored, elaborate patterns.
Others design simpler carpets of pine needles, seasonal flowers and fruits, the aroma mingling with incense and saturating the air. Hours to make yet in minutes solemn processions slowly trample these works of art to obliteration.
My third Semana Santa in Antigua didn’t disappoint. Every day, my camera in hand, I pounded the uneven streets capturing moments of the passion. This post shows a tiny reflection of the most elaborate alfombras over those three years.
My next few posts will cover more of Semana Santa.